PURE @ Piccolo Spoleto



Underneath the Lintel by Glen Berger

Directed by Sharon Graci
Performed by Rodney Lee Rogers

SYNOPSIS

On an inauspicious morning at a Dutch library, a librarian makes an unexpected find in the overnight return box. ...a much mistreated Baedeker's guidebook 123 years overdue. Even without compound interest, this tardiness merits a tidy fine, and in UNDERNEATH THE LINTEL, playwright Glen Berger's latest, our librarian hero determines to track down the miscreant. 

Berger's monologue, subtitled The Mystery of the Abandoned Trousers, hardly slacks. Mailing a fine to the long-lived scofflaw in question proves difficult, as the borrower listed his name only as `A.’ In an effort to run him to earth, the librarian, who has never left his native town of Hoofddorp, zips to China, Australia, Germany, and America. He eats sweets, greases palms, sees Les Miserables in three languages, and fritters away all his accumulated vacation days. He has the time of his life, or perhaps for the first time actually has a life.”  Alexis Soloski, The Village Voice 

CAST

Rodney Lee Rogers  -  The Librarian 

BIOS

Rodney Lee Rogers (The Librarian) – is the cofounder of PURE Theatre, and brings over 15 years experience as a writer/director/actor in film, television, and theater.  Highlights include playing Dr. Kyle Smithton on FOX's Medicine Ball, One Tree Hill, The Mercy Seat, American Buffalo, and Fully Committed at PURE.  Winner Best Director and Best Actor awards for Steaming Milk at the 1997 Seattle International Film Festival. Best Fest List: L.A. Weekly, Seattle Times, Seattle P.I., The Stranger.  Ones to Watch: Moviemaker, Filmmaker magazines and Charleston City Paper.   

Sharon Graci (Director) - is the artistic director and cofounder of PURE. She studied 
acting at Point Park University and the Pittsburgh Conservatory of Theatre and received her Bachelor of Arts Degree in Theatre from Augusta State University. She has performed with numerous regional theatre companies throughout the Southeast and received a Best Actor award for her work in Montague, winner Best Film, 2003 Stopwatch Cinema. Recent acting work includes NBC's Surface and One Tree Hill on the WB, and Reckless, Spinning into Butter, and The Beauty Queen of Leenane at PURE. Previous directing work at PURE includes Lonesome West, True West, Underneath the Lintel, and Fully Committed.
 

Glen Berger (Playwright) - Glen Berger’s Great Men of Science, NOS. 21 & 22 won the 1998 Ovation Award for Best Play, as well as the A.S.K. Playwriting Award. His Underneath the Lintel ran Off-Broadway for over 15 months, and the Los Angeles production won the Ovation Award for Best Play. His O Lovely Glowworm won the 2005 Portland Drammy Award for Best Script. He was a recipient of a Children’s Theater Company/New Dramatists “Playground” commission, as well as a Manhattan Theatre Club/Sloan Foundation Grant, with which he wrote the musical, On Words and Onwards (work shopped at the 2001 A.S.K. Theater Projects Writers Retreat). Mr. Berger has also written the book and lyrics to A Night in the Old Marketplace, a musical that received a National Foundation for Jewish Culture grant and the 2004 Frederick Loewe Award. He was nominated for three Emmys for his work on the PBS children’s series, Arthur and Postcards from Buster. He has also written episodes of WGBH’s Time Warp Trio and Peep, and is the head writer for Fetch, which will debut on PBS in June, 2006. 

QUOTES: UNDERNEATH THE LINTEL

“One of the best performances Charleston audiences have seen in quite a while. This is what acting can be…a mind-bending, heart-bursting, beautiful production handled gracefully by PURE Theatre. It will leave you recognizing the power of theatre,” Jennifer Corley, Charleston City Paper 

“It is the sheer beauty of the language matched by the sheer beauty of this performance that makes this an extraordinary evening in the theater.”  Carol Furtwangler Post & Courier

“Underneath the Lintel" is required viewing for every actor, techie, author, director and theater lover in the city.  The state.  The world.”  Carol Furtwangler Post & Courier 

“…one of a handful of great plays written in the last five years…it's an astonishingly beautiful piece of writing…” Steve Wiecking, Seattle Weekly 

 “Berger has shown a penchant for men obsessively investigating truths that blind them to more ordinary pursuits of happiness. This one-man show is no exception. It's a satisfying mix of intelligent writing and quirky humor in a package that isn't neatly wrapped up with pat answers.” Jana J Monji, Los Angeles Times 

“Glen Berger's work feels like what an entire generation of playwrights have been struggling to write.” 
Bret Fetzer, The Stranger (Seattle)

  

AWARDS:  UNDERNEATH THE LINTEL

Best One Person Play 2005” Charleston City Paper

Ovation Award for “Best Play” (2001);

Time Out New York’s “Ten Best Plays of 2001.” 

PURE THEATRE 
PURE Theatre is an evolving stage company dedicated to exploring the human condition through the medium of acting by utilizing exceptional theatre talent from the southeast and across the nation. We seek to produce theatre that inspires, invigorates, enriches and delights our audience, while working to establish Charleston, South Carolina as a premiere venue for professional theatre and to responsibly and diligently advocate the profound necessity of the arts in all communities throughout America. 

PURE was founded in 2003 by Rodney Lee Rogers and Sharon Graci.  In its first three seasons, PURE Theatre has produced nineteen plays, and two short play festivals including three world premieres, seven southern premieres and three South Carolina premieres.  We have received audience and critical acclaim and been named “Best Realized Theatre Concept,” receiving both “Best Play” and “Best One Person Play” awards from Charleston theatre reviewers.  The company has been featured for our dedication to quality, professional theatre and has garnered such praise as, “producing contemporary theatre at its best.” (Charleston Magazine)

QUOTES: PURE THEATRE

“producing contemporary theatre at its best.”  Charleston Magazine 

“Buy tickets early: PURE’s last three shows have enjoyed mostly sold-out funs packed with return audience members excited to see what unique new direction the theatre’s taken this time.”  Jennifer Corley Charleston City Paper 

“The folks at PURE Theatre seem more interested in serving up themes than in spoonfeeding audiences predictable fare at their intimate Cigar Factory home, and that risk is admirable.  Combine it all with great talent, and PURE has a winning formula in its hands.”  Jennifer Corley Charleston City Paper

“After less than three years of existence, PURE Theatre has swiftly become Charleston’s go-to spot for avant-garde, challenging productions.”  Nick Smith Charleston City Paper 

“no slick editing or special effects, just great acting…We feel privileged t be there for this transient, remarkable moment…If you missed it…you missed a hell of an evening.”  Patrick Sharbaugh

Charleston City Paper 

“known for staging plays with shocking situations that precipitate disagreements among patrons on how a show’s subject can be interpreted.”  Dottie Ashley Post and Courier 

“smart, stimulating theatre.” Nick Smith Charleston City Paper 

“From two-person casts in talking-head plays, to racial dramas, to avant-garde pieces and movement theatre, PURE Theatre presents the most diverse slate of offerings in town.”  Jennifer Courley Charleston City Paper 

AUDIENCE AND CRITICS AWARDS: PURE THEATRE

Best Realized Theatre Concept

Best Play

Best Actor/Actress

Best Theatrical Diversity

Best One-Person Play 

ADDITIONAL INFORMATION

Sharon Graci

Artistic Director

843.723.4444

sharon@puretheatre.org 





A NUMBER by Caryl Churchill Directed by R.W. Smith
Performed by Mark Landis and David Mandel

PURE Theatre Presents

A Number by Caryl Churchill
Directed by R.W. Smith 

SYNOPSIS

Part psychological thriller, part topical scientific speculation, and part analysis of the relationship between fathers and their sons, it combines elegant structural simplicity with an astonishing intellectual and emotional depth... A Number is a brilliantly conceived play that explores the issue of human cloning through the relationships between a father and his three sons. It is also a philosophical investigation into free will and the question of whether we are genetically or environmentally determined.  The play asks the questions “What sort of a person are you if you have the same genetic identity as someone else? What sort of a person are you anyway?” 
 

CAST

Mark Landis  -  Salter

David Mandel – Bernard (B1) & Bernard (B2), Michael Black 

 
BIOS

R.W. Smith (Director) is finishing his second year as an ensemble  member, excited to be directing his first full-length production at  PURE Theatre. His previous directing experience includes a ten-minute 
show for PURE's A Perfect Ten, an original he wrote called Sam's  Corner, and co-directing Hurlyburly. His acting experience includes  Reckless, Beauty Queen of Leenane, American Buffalo, and True West at 
Pure, as well as Killer Joe, Death of a Salesman and Polaroid Stories. He can also be seen during this year's Piccolo Fringe in The Complete  History of Charleston for Morons at Theatre 99.
 

Mark Landis* (Salter) has been a member of Actors' Equity Association  since 1978, and his work in the professional theatre has taken him to  a number of different parts of the United States where he has worked as an actor, a director, and a stage manager, and has done both radio  and television commercials.  He holds an M.F.A. in Directing from  Western Illinois University, and in 2000 he directed a production of Aristophanes' The Birds with a cast that included both American and  Greek performers at the ancient amphitheatre at Oeniades in Greece.   He is currently a Professor of Theatre at the College of Charleston, where he teaches acting and other theatre courses.  He recently  directed Man From Nebraska for PURE. 

David Mandel (Bernard [B2], Bernard [B1], Michael Black) has appeared at PURE in Thom Pain (based on nothing), This Is How It Goes, American Buffalo, The Beauty Queen of Leenane, A Perfect Ten, Polish Joke, and Jesus Hopped the "A" Train.  Professional theatre work outside of Charleston includes three seasons with the New Jersey Shakespeare Festival (Merry Wives of Windsor, Romeo & Juliet, Macbeth); a year in residence at George Street Playhouse; nine years in Los Angeles at venues including The MET Theatre, the Dorothy Chandler Pavilion, Los Angeles Theatre Center, and the Egyptian Arena Theatre.

Caryl Churchill (Playwright) Playwright Caryl Churchill was born on 3 September 1938 in London and grew up in the Lake District and in Montreal. She was educated at Lady Margaret Hall, Oxford, where she read English. Downstairs, her first play, was written while she was still at university, was first staged in 1958 and won an award at the Sunday Times National Union of Students Drama Festival. She wrote a number of plays for BBC radio including The Ants (1962), Lovesick (1967) and Abortive (1971). The Judge's Wife was televised by the BBC in 1972 and Owners, her first professional stage production, premiered at the Royal Court Theatre in London in the same year.  
 
She was Resident Dramatist at the Royal Court (1974-5) and spent much of the 1970s and 1980s working with the theatre groups 'Joint Stock' and 'Monstrous Regiment'. Her work during this period includes Light Shining in Buckinghamshire (1976), Cloud Nine (1979), Fen (1983) and A Mouthful of Birds (1986), written with David Lan. Three More Sleepless Nights was first produced at the Soho Poly, London, in 1980.  

Top Girls brings together five historical female characters at a dinner party in a London restaurant given by Marlene, the new managing director of 'Top Girls' employment agency. The play was first staged at the Royal Court in 1982, directed by Max Stafford-Clark. It transferred to Joseph Papp's Public Theatre in New York later that year. Serious Money was first produced at the Royal Court in 1987 and won the Evening Standard Award for Best Comedy of the Year and the Laurence Olivier/BBC Award for Best New Play. More recent plays include Mad Forest (1990), written after a visit to Romania, and The Skriker (1994). Her plays for television include The After Dinner Joke (1978) and Crimes (1982). Far Away premiered at the Royal Court in 2000, directed by Stephen Daldry. She has also published a new translation of Seneca's Thyestes (2001), and A Number (2002), which addresses the subject of human cloning. Her latest play is a new version of August Strindberg's A Dream Play (2005), premiered at the National Theatre in 2005
Prizes and awards

1958   Sunday Times/National Union of Students Drama Festival Award   Downstairs
1961   Richard Hillary Memorial Prize
1981   Obie Award for Playwriting   Cloud Nine
1982   Obie Award for Playwriting   Top Girls
1983   Susan Smith Blackburn Prize   (runner-up)   Top Girls
1984   Susan Smith Blackburn Prize   Fen
1987   Evening Standard Award for Best Comedy of the Year   Serious Money
1987   Evening Standard Award for Best Comedy of the Year   Serious Money
1987   Obie Award for Best New Play   Serious Money
1987   Susan Smith Blackburn Prize   Serious Money

1988   Laurence Olivier/BBC Award for Best New Play   Serious Money
2001   Obie Sustained Achievement Award
 

QUOTES: A NUMBER

“In one hour at the Pure Theatre production that opened Friday night, you get more real theater than you might reasonably expect during another company's whole season.”  Carol Furtwangler Post & Courier 

“It is the quality of the performances, however, that make this piece a must-see for audiences interested in professional theater.”  Carol Furtwangler Post & Courier 

“…quick fix of smart, stimulating theatre.”  Nick Smith Charleston City Paper 

"Rarely... has a new play conveyed such a disturbing or enthralling impression. A Number is the first true play of the 21st century." - The London Evening Standard 

“What a tremendous play this is, moving thought-provoking and dramatically thrilling”  Daily Telegraph   

Caryl Churchill is "the greatest living English language playwright" - Tony Kushner, author of Angels in America 

“One of the most spell-binding - and challenging - theatrical events of the year... What makes this play so special is that ideas of the cutting edge of scientific experiment and philosophical inquiry are turned into gripping, at times emotionally shattering, drama." - The London Daily Telegraph 
 
 
 

PURE THEATRE 
PURE Theatre is an evolving stage company dedicated to exploring the human condition through the medium of acting by utilizing exceptional theatre talent from the southeast and across the nation. We seek to produce theatre that inspires, invigorates, enriches and delights our audience, while working to establish Charleston, South Carolina as a premiere venue for professional theatre and to responsibly and diligently advocate the profound necessity of the arts in all communities throughout America. 

PURE was founded in 2003 by Rodney Lee Rogers and Sharon Graci.  In its first three seasons, PURE Theatre has produced nineteen plays, and two short play festivals including three world premieres,

seven southern premieres and three South Carolina premieres.  We have received audience and critical acclaim and been named “Best Realized Theatre Concept,” receiving both “Best Play” and “Best One Person Play” awards from Charleston theatre reviewers.  The company has been featured for our

dedication to quality, professional theatre and has garnered such praise as, “producing contemporary theatre at its best.” (Charleston Magazine) 

QUOTES: PURE THEATRE

“producing contemporary theatre at its best.”  Charleston Magazine 

“Buy tickets early: PURE’s last three shows have enjoyed mostly sold-out funs packed with return audience members excited to see what unique new direction the theatre’s taken this time.”  Jennifer Corley Charleston City Paper 

“The folks at PURE Theatre seem more interested in serving up themes than in spoonfeeding audiences predictable fare at their intimate Cigar Factory home, and that risk is admirable.  Combine it all with great talent, and PURE has a winning formula in its hands.”  Jennifer Corley Charleston City Paper

“After less than three years of existence, PURE Theatre has swiftly become Charleston’s go-to spot for avant-garde, challenging productions.”  Nick Smith Charleston City Paper 

“no slick editing or special effects, just great acting…We feel privileged t be there for this transient, remarkable moment…If you missed it…you missed a hell of an evening.”  Patrick Sharbaugh

Charleston City Paper 

“known for staging plays with shocking situations that precipitate disagreements among patrons on how a show’s subject can be interpreted.”  Dottie Ashley Post and Courier 

“smart, stimulating theatre.” Nick Smith Charleston City Paper 

From two-person casts in talking-head plays, to racial dramas, to avant-garde pieces and movement theatre, PURE Theatre presents the most diverse slate of offerings in town.”  Jennifer Corley Charleston City Paper 

AUDIENCE AND CRITICS AWARDS: PURE THEATRE

“Best Realized Theatre Concept”

Best Play

Best Actor/Actress

Best Theatrical Diversity

Best One-Person Play 

ADDITIONAL INFORMATION

Sharon Graci

Artistic Director

843.723.4444

sharon@puretheatre.org 


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